Transnational Feminisms and Art’s Transhemispheric Histories: Ecologies and Genealogies
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Engaging with the ecologies and genealogies – worlds and stories – that constitute the plural knowledge projects of transnational feminisms and art’s transhemispheric histories, the book is written through two critical figurations: transcanons and trans-scalar ecologies. Materializing art’s histories as radical practices of disciplinary disobedience, the volume demonstrates how planetary feminisms can foster interdependent flourishing as they story pluriversal worlds, and world pluriversal stories, with art.
This is essential reading for students and researchers in art history, theory and practice, visual culture studies, feminism and gender studies, environmental humanities and cultural geography.
The Trilogy:
- Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections
- Transnational Feminisms and Art’s Transhemispheric Histories: Ecologies and Genealogies
- Transnational Feminisms and Posthuman Aesthetics: Resonance and Riffing
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Marsha Meskimmon is Professor of Transnational Art and Feminisms, and Director of the Institute of Advanced Studies at Loughborough University (UK). Her publications include Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections (2020), Contemporary Art and the Cosmopolitan Imagination (2010), Women Making Art: History, Subjectivity, Aesthetics (2003), all with Routledge.
