Unapologetic: Why, despite everything, Christianity can still make surprising emotional sense

· Faber & Faber
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'Passionate, challenging, tumultuously articulate . . . Fascinating.' John Carey, Sunday Times
'A wonderful, effortlessly brilliant book.' Evening Standard
'A rare gem, a book that carries conviction by being honest all the way through.' John Gray, Independent
If Christianity is anything, it's a refusal to see human behavior as ruled by the balance sheet. We're not supposed to see the things we do as adding up into piles of good and evil we can subtract from each according to some kind of calculus to tell us how, on balance, we're doing.
Unapologetic is a book for those curious about how faith can possibly work in the twenty-first century.
But it isn't an argument that Christianity is true - because how could anyone know that (or indeed its opposite)?
It's an argument that Christianity is recognisable, drawing on the deep and deeply ordinary vocabulary of human feeling, satisfying those who believe in it by offering a ruthlessly realistic account of the bits of our lives advertising agencies prefer to ignore.

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Francis Spufford, a former Sunday Times Young Writer of the Year (1997), has edited two acclaimed literary anthologies and a collection of essays about the history of technology. His first book, I May Be Some Time, won the Writers' Guild Award for Best Non-Fiction Book of 1996, the Banff Mountain Book Prize and a Somerset Maugham Award. His second, The Child That Books Built, gave Neil Gaiman 'the peculiar feeling that there was now a book I didn't need to write'. His third, Backroom Boys, was called 'as nearly perfect as makes no difference' by the Daily Telegraph and was shortlisted for the Aventis Prize.
His fourth, Red Plenty was called 'odd, brilliant and crazily brave' in the Evening Standard, longlisted for the Orwell Prize and translated into eight languages. His latest book, Unapologetic, was described by Nick Hornby as 'an incredibly smart, challenging, and beautiful book'. In 2007 he was elected a Fellow of the Royal Society of Literature. He teaches writing at Goldsmiths College and lives near Cambridge.

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