Understanding David Mamet
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Murphy centers her discussion around Mamet's most significant plays—Glengarry Glen Ross, Oleanna, American Buffalo, Speed-the-Plow, The Cryptogram, Sexual Perversity in Chicago, Edmond, The Woods, Lakeboat, Boston Marriage, and The Duck Variations—as well as his three novels—The Village, The Old Religion, and Wilson. Murphy also notes how Mamet's one-act and less known plays provide important context for the major plays and help to give a fuller sense of the scope of his art. A chapter on his numerous essays, including his most anthologized piece of writing, the autobiographical essay "The Rake," reflects Mamet's controversial and evolving ideas about the theater, film, politics, religion, and masculinity. Throughout her study Murphy incorporates references to Mamet's popular films as useful waypoints for contextualizing his literary works and understanding his continuing evolution as a writer for multiple mediums.
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Brenda Murphy is the Board of Trustees Distinguished Professor of English at the University of Connecticut. She received her Ph.D. from Brown University and has published fifteen books, including The Provincetown Players and the Culture of Modernity, Tennessee Williams and Elia Kazan: A Collaboration in Theatre, and Twentieth-Century American Drama: Critical Concepts in Literary and Cultural Studies.
