Urbain Grandier - 1634 (Celebrated Crimes Series)

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Giới thiệu về sách điện tử này

This antiquarian book contains Alexandre Dumas's work "Urbain Grandier - 1634". It was first published as part of his eight-volume series "Celebrated Crimes" (1839-40), and recounts the famous witchcraft trial of a catholic priest called Urbain Grandier in seventeenth century France. Known to have broken his vow of celibacy, Grandier was accused of numerous possessions at a convent in Loudun. A masterful retelling of this famous trial, "Urbain Grandier - 1634" is highly recommended for fans of the true-crime genre. Alexandre Dumas (1802-1870) was a famous French writer. He is best remembered for his exciting romantic sagas, including "The Three Musketeers" and "The Count of Monte Cristo". Despite making a great deal of money from his writing, Dumas was almost perpetually penniless thanks to his lavish lifestyle. His novels have been translated into nearly a hundred different languages, and have inspired over 200 motion pictures. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing this antiquarian book in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

Giới thiệu tác giả

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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