Weimar: A Cultural History
Jul. 2017 · Routledge
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The term "Weimar culture," while generally accepted, is in some respects unsatisfactory, if only because political and cultural history seldom coincides in time. Expressionism was not born with the defeat of the Imperial German army, nor is there any obvious connection between abstract painting and atonal music and the escape of the Kaiser, nor were the great scientific discoveries triggered off by the proclamation of the Republic in 1919. As the eminent historian Walter Laqueur demonstrates, the avant-gardism commonly associated with post-World War One precedes the Weimar Republic by a decade.It would no doubt be easier for the historian if the cultural history of Weimar were identical with the plays and theories of Bertolt Brecht; the creations of the Bauhaus and the articles published by the Weltbühne. But there were a great many other individuals and groups at work, and Laqueur gives a full and vivid accounting of their ideas and activities. The realities of Weimar culture comprise the political right as well as the left, the universities as well as the literary intelligentsia. It would not be complete without occasional glances beyond avant-garde thought and creation and their effects upon traditional German social and cultural attitudes and the often violent reactions against "Weimar" that would culminate with the rise of Hitler and the fall of the republic in 1933.This authoritative work is of immense importance to anyone interested in the history of Germany in this critical period of the country's life.
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Walter Louis Laqueur was born in Breslau, Germany on May 26, 1921. At the age of 17, he fled just a few days before Kristallnacht and found his way to Palestine, where he was known as Ze'ev. He worked briefly on a kibbutz before moving to Jerusalem, where he spent a year enrolled in the Hebrew University and covered the Middle East as a journalist. In 1955, he moved to London, where he was a founder and editor of The Journal of Contemporary History and a founder of Survey, a foreign affairs journal. From 1965 to 1994 he was director of the Wiener Library for the Study of the Holocaust and Genocide, a leading archive in London. He became a scholar of the Holocaust, the collapse of the Soviet Union, European decline, the Middle East conflict, and global terrorism. He wrote numerous books including A History of Zionism, A History of Terrorism, The Terrible Secret, Putinism: Russia and Its Future with the West, and The Future of Terrorism: ISIS, Al Qaeda, and the Alt-Right written with Christopher Wall. His memoirs included Thursday's Child Has Far to Go; Worlds Ago; Best of Times, Worst of Times; and Reflections of a Veteran Pessimist. He was also the editor of The Holocaust Encyclopedia. He died on September 30, 2018 at the age of 97.
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