Wesker's Historical Plays
sht 2012 · Bloomsbury Publishing
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288
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Presented here are four epic history plays from Sir Arnold Wesker, which touch on the age-old conflicts caused by religion, science and the Establishment.
Set in the Jewish ghetto of Venice, 1563, Shylock (1972) is based on the same three stories from which Shakespeare wove his play, The Merchant of Venice. The core plot remains, but the relationships and characterisations are very different. Caritas (1980) is at once the story of a monastic young woman in the fourteenth century but also a metaphor for the wrong decisions which can imprison us for life. In 1144 a young boy was found brutally murdered in Thorpe Wood. The Jews were accused of slaughtering a Christian child touse his blood for Passover and mock the crucifixion. Blood Libel (1991) investigates a calumny which persists to this day. Meanwhile Longitude (2002) tells of the eighteenth-century race to accurately measure longitude – and claim a £20,000 reward from Parliament.
Set in the Jewish ghetto of Venice, 1563, Shylock (1972) is based on the same three stories from which Shakespeare wove his play, The Merchant of Venice. The core plot remains, but the relationships and characterisations are very different. Caritas (1980) is at once the story of a monastic young woman in the fourteenth century but also a metaphor for the wrong decisions which can imprison us for life. In 1144 a young boy was found brutally murdered in Thorpe Wood. The Jews were accused of slaughtering a Christian child touse his blood for Passover and mock the crucifixion. Blood Libel (1991) investigates a calumny which persists to this day. Meanwhile Longitude (2002) tells of the eighteenth-century race to accurately measure longitude – and claim a £20,000 reward from Parliament.
Rreth autorit
ARNOLD WESKER F.R.S.L was knighted in 2006 for 'services to drama'. He has written over forty-three plays, two opera libretti, various mechanical adaptations; four volumes of short stories, a children's book, and a novel; two volumes of essays, an autobiography, a diary, and a book on journalism; and recently his first volume of poetry. His plays have been produced in cities from Rio de Janeiro to Tokyo, from Paris to Moscow, from Montreal to Zurich, and The Kitchen - his most performed play has been performed yearly somewhere or other around the world for the last fifty years, and recently was revived by The National Theatre in 2011.
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