Western Swing Guitar Style

· Mel Bay Publications
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If you have ever heard the sound of rhythm guitar in a good western swing band, you may have wondered how the guitarist achieved that unique chordal sound. While the song might be a simple one--playable with only two or three chords--the western swing guitarist changes chords every two beats, providing a driving and harmonically interesting background for the singers and instrumentalists. This book is designed for intermediate players who have a basic understanding of open chords. It begins with study of the Texas fiddle back-up style and the chords used to enhance this music. The chords and progressions explained in this book can be used in many types of music in addition to western swing and would serve as an excellent transition from open-string folk chords to more of a jazz approach. Includes access to online audio.

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4,5
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O autorze

Beginning in 1985, Joe Carr was a music instructor specializing in Bluegrass, Western Swing and Irish music in the Commercial Music program at South Plains College in Levelland, Texas. He was a director for Camp Bluegrass, a summer residential Music camp. In 1977, Joe joined the internationally known Country Gazette bluegrass band with banjo player Alan Munde and bluegrass legend Roland White. Joe appeared on three group albums, a solo album and numerous other recorded projects during his seven-year tenure with the band. In the 1990s, Carr and Munde formed a duo that toured extensively throughout the U.S., Canada and England and recorded two albums for Flying Fish/Rounder Records. Joe was a regular columnist for Flatpicking Guitar Magazine and Mandolin Magazine. In 1996, the Texas Tech University Press published Prairie Nights to Neon Lights: The Story of Country Music in West Texas by Carr and Munde.

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