The Frozen Deep: Wilkie Collins Top Collections
About this ebook
The date is between twenty and thirty years ago. The place is an English sea-port. The time is night. And the business of the moment is—dancing.
The Mayor and Corporation of the town are giving a grand ball, in celebration of the departure of an Arctic expedition from their port. The ships of the expedition are two in number—the Wanderer and the Sea-mew. They are to sail (in search of the Northwest Passage) on the next day, with the morning tide.
Honor to the Mayor and Corporation! It is a brilliant ball. The band is complete. The room is spacious. The large conservatory opening out of it is pleasantly lighted with Chinese lanterns, and beautifully decorated with shrubs and flowers. All officers of the army and navy who are present wear their uniforms in honor of the occasion. Among the ladies, the display of dresses (a subject which the men don't understand) is bewildering—and the average of beauty (a subject which the men do understand) is the highest average attainable, in all parts of the room.
For the moment, the dance which is in progress is a quadrille. General admiration selects two of the ladies who are dancing as its favorite objects. One is a dark beauty in the prime of womanhood—the wife of First Lieutenant Crayford, of the Wanderer. The other is a young girl, pale and delicate; dressed simply in white; with no ornament on her head but her own lovely brown hair. This is Miss Clara Burnham—an orphan. She is Mrs. Crayford's dearest friend, and she is to stay with Mrs. Crayford during the lieutenant's absence in the Arctic regions. She is now dancing, with the lieutenant himself for partner, and with Mrs. Crayford and Captain Helding (commanding officer of the Wanderer) for vis-a-vis—in plain English, for opposite couple.
The conversation between Captain Helding and Mrs. Crayford, in one of the intervals of the dance, turns on Miss Burnham. The captain is greatly interested in Clara. He admires her beauty; but he thinks her manner—for a young girl—strangely serious and subdued. Is she in delicate health?
Mrs. Crayford shakes her head; sighs mysteriously; and answers,...
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About the author
William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868).
Collins was born into the family of painter William Collins in London. He received his early education at home from his mother, after which he attended an academy and a private boarding school. He also traveled with his family to Italy and France, and learned the French and Italian languages. He served as a clerk in the firm of the tea merchants Antrobus & Co.
His first novel Iolani, or Tahiti as It Was; a Romance, was rejected by publishers in 1845. His next novel, Antonina, was published in 1850. In 1851, he met Charles Dickens, and the two became close friends. A number of Collins' works were first published in Dickens' journals All the Year Round and Household Words. The two collaborated on several dramatic and fictional works, and some of Collins' plays were performed by Dickens' acting company.
Collins published his best known works in the 1860s, achieving financial stability and an international reputation. During this time he began suffering from gout and developed an addiction to opium, which he took (in the form of laudanum) for pain. He continued to publish novels and other works throughout the 1870s and '80s, but the quality of his writing declined along with his health. He died in 1889.
