Yevgeny Vakhtangov: A Critical Portrait
Par šo e-grāmatu
Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait:
- considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men;
- reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established;
- examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot.
Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Par autoru
Andrei Malaev-Babel is an actor, director and scholar, a graduate of the Vakhtangov Theatre Institute in Moscow. He serves as an Associate Professor of Theatre at the FSU/Asolo Conservatory for Actor Training, and on the board of the Michael Chekhov Association. He is the editor of The Vakhtangov Sourcebook.
