Films of Endearment: A Mother, a Son and the '80s Films That Defined Us

· Harlequin
4.0
1 review
Ebook
288
Pages
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About this ebook

An Esquire Best Book About Hollywood

A USA TODAY Best Book of 2021

“A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club

"I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment."—Mark Harris, New York Times bestselling author of Mike Nichols: A Life

A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together

Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads.

Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called "The Decade of the Actress."

Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons.

Ratings and reviews

4.0
1 review
Joelle Egan
June 23, 2021
Michael Koresky provides the dual perspective of a professional movie critic and a loving son in his warm-hearted memoir Films of Endearment: A Mother, A Son and the 80’s Films that Defined Us. As Koresky delves into his upbringing and major life events, he uses the films he and his mother share together to contemplate their relationship and shared experience. He draws on the personal to illuminate the cultural significance of his favorite movies and uses family history to provide context for his selections. The author candidly reveals his early-on sexual identity bewilderment, his wavering ties with Judaism, and his experiences of grief. He uses these anecdotes to initiate a discussion about representation and identity issues as reflected in films of that decade. At its core, this book is first and foremost an homage to his mother. Films of Endearment veers often into oversentimentality, but Koresky’s expertise as a film critic with a sharp sense of humor saves it from becoming too saccharine. With this book, the author is talking to a niche audience—those of his own generation that share his passion for movies. The included reviews raise (and answer) questions about Koresky’s own development and expose his deep fondness for reminiscence and insight. Warning: Films of Endearment may encourage readers to explore their own beloved films in a search for a similar self-understanding. Thanks to the author, and Hanover Square Press for an ARC in exchange for an unbiased review.
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About the author

MICHAEL KORESKY is a film critic and filmmaker, and editorial director at New York’s Museum of the Moving Image. He has held staff editorial positions for Film at Lincoln Center and The Criterion Collection, where he continues to work as a freelance programmer. He has been named one of the “100 Most Influential People in Brooklyn Culture” by Brooklyn Magazine.

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