Sentimental Education: The History of a Young Man (Complete)

Gustave Flaubert

Library of Alexandria

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On the 15th of September, 1840, about six o'clock in the morning, the Ville de Montereau, just on the point of starting, was sending forth great whirlwinds of smoke, in front of the Quai St. Bernard. People came rushing on board in breathless haste. The traffic was obstructed by casks, cables, and baskets of linen. The sailors answered nobody. People jostled one another. Between the two paddle-boxes was piled up a heap of parcels; and the uproar was drowned in the loud hissing of the steam, which, making its way through the plates of sheet-iron, enveloped everything in a white cloud, while the bell at the prow kept ringing continuously. At last, the vessel set out; and the two banks of the river, stocked with warehouses, timber-yards, and manufactories, opened out like two huge ribbons being unrolled. A young man of eighteen, with long hair, holding an album under his arm, remained near the helm without moving. Through the haze he surveyed steeples, buildings of which he did not know the names; then, with a parting glance, he took in the Île St. Louis, the Cité, Nôtre Dame; and presently, as Paris disappeared from his view, he heaved a deep sigh. Frederick Moreau, having just taken his Bachelor's degree, was returning home to Nogent-sur-Seine, where he would have to lead a languishing existence for two months, before going back to begin his legal studies. His mother had sent him, with enough to cover his expenses, to Havre to see an uncle, from whom she had expectations of his receiving an inheritance. He had returned from that place only yesterday; and he indemnified himself for not having the opportunity of spending a little time in the capital by taking the longest possible route to reach his own part of the country. The hubbub had subsided. The passengers had all taken their places. Some of them stood warming themselves around the machinery, and the chimney spat forth with a slow, rhythmic rattle its plume of black smoke. Little drops of dew trickled over the copper plates; the deck quivered with the vibration from within; and the two paddle-wheels, rapidly turning round, lashed the water. The edges of the river were covered with sand. The vessel swept past rafts of wood which began to oscillate under the rippling of the waves, or a boat without sails in which a man sat fishing. Then the wandering haze cleared off; the sun appeared; the hill which ran along the course of the Seine to the right subsided by degrees, and another rose nearer on the opposite bank. It was crowned with trees, which surrounded low-built houses, covered with roofs in the Italian style. They had sloping gardens divided by fresh walls, iron railings, grass-plots, hot-houses, and vases of geraniums, laid out regularly on the terraces where one could lean forward on one's elbow. More than one spectator longed, on beholding those attractive residences which looked so peaceful, to be the owner of one of them, and to dwell there till the end of his days with a good billiard-table, a sailing-boat, and a woman or some other object to dream about. The agreeable novelty of a journey by water made such outbursts natural. Already the wags on board were beginning their jokes. Many began to sing. Gaiety prevailed, and glasses of brandy were poured out. Frederick was thinking about the apartment which he would occupy over there, on the plan of a drama, on subjects for pictures, on future passions. He found that the happiness merited by the excellence of his soul was slow in arriving. He declaimed some melancholy verses. He walked with rapid step along the deck.

About the author

Gustave Flaubert (12 December 1821 – 8 May 1880) was an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.

His first finished work was November, a novella, which was completed in 1842.

In September 1849, Flaubert completed the first version of a novel, The Temptation of Saint Anthony. He read the novel aloud to Louis Bouilhet and Maxime Du Camp over the course of four days, not allowing them to interrupt or give any opinions. At the end of the reading, his friends told him to throw the manuscript in the fire, suggesting instead that he focus on day-to-day life rather than fantastic subjects.

In 1850, after returning from Egypt, Flaubert began work on Madame Bovary. The novel, which took five years to write, was serialized in the Revue de Paris in 1856. The government brought an action against the publisher and author on the charge of immorality, which was heard during the following year, but both were acquitted. When Madame Bovary appeared in book form, it met with a warm reception.

In 1858, Flaubert traveled to Carthage to gather material for his next novel, Salammbô. The novel was completed in 1862 after four years of work.

Drawing on his youth, Flaubert next wrote L'Éducation sentimentale (Sentimental Education), an effort that took seven years. This was his last complete novel, published in the year 1869.

He wrote an unsuccessful drama, Le Candidat, and published a reworked version of The Temptation of Saint Anthony, portions of which had been published as early as 1857. He devoted much of his time to an ongoing project, Les Deux Cloportes (The Two Woodlice), which later became Bouvard et Pécuchet, breaking from the obsessive project only to write the Three Tales in 1877. This book comprised three stories: Un Cœur simple (A Simple Heart), La Légende de Saint-Julien l'Hospitalier (The Legend of St. Julian the Hospitaller), and Hérodias (Herodias). After the publication of the stories, he spent the remainder of his life toiling on the unfinished Bouvard et Pécuchet, which was posthumously printed in 1881. It was a grand satire on the futility of human knowledge and the ubiquity of mediocrity. He believed the work to be his masterpiece, though the posthumous version received lukewarm reviews. Flaubert was a prolific letter writer, and his letters have been collected in several publications.

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