Sons of the Soil: Works of Balzac

· Works of Balzac Book 17 · 谷月社
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CHAPTER I. THE CHATEAU

Les Aigues, August 6, 1823.

To Monsieur Nathan,

My dear Nathan,—You, who provide the public with such delightful dreams through the magic of your imagination, are now to follow me while I make you dream a dream of truth. You shall then tell me whether the present century is likely to bequeath such dreams to the Nathans and the Blondets of the year 1923; you shall estimate the distance at which we now are from the days when the Florines of the eighteenth century found, on awaking, a chateau like Les Aigues in the terms of their bargain.

My dear fellow, if you receive this letter in the morning, let your mind travel, as you lie in bed, fifty leagues or thereabouts from Paris, along the great mail road which leads to the confines of Burgundy, and behold two small lodges built of red brick, joined, or separated, by a rail painted green. It was there that the diligence deposited your friend and correspondent.

On either side of this double pavilion grows a quick-set hedge, from which the brambles straggle like stray locks of hair. Here and there a tree shoots boldly up; flowers bloom on the slopes of the wayside ditch, bathing their feet in its green and sluggish water. The hedge at both ends meets and joins two strips of woodland, and the double meadow thus inclosed is doubtless the result of a clearing.

These dusty and deserted lodges give entrance to a magnificent avenue of centennial elms, whose umbrageous heads lean toward each other and form a long and most majestic arbor. The grass grows in this avenue, and only a few wheel-tracks can be seen along its double width of way. The great age of the trees, the breadth of the avenue, the venerable construction of the lodges, the brown tints of their stone courses, all bespeak an approach to some half-regal residence.

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About the author

About Honore de Balzac
Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie Humaine, which presents a panorama of French life in the years after the 1815 Fall of Napoleon Bonaparte.

Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, and Henry James, as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
Balzac's work habits are legendary—he did not work quickly, but toiled with an incredible focus and dedication. His preferred method was to eat a light meal at five or six in the afternoon, then sleep until midnight. He then rose and wrote for many hours, fueled by innumerable cups of black coffee. He would often work for fifteen hours or more at a stretch; he claimed to have once worked for 48 hours with only three hours of rest in the middle.
Balzac revised obsessively, covering printer's proofs with changes and additions to be reset. He sometimes repeated this process during the publication of a book, causing significant expense both for himself and the publisher. As a result, the finished product quite often was different from the original text. Although some of his books never reached completion, some — such as Les employés (The Government Clerks, 1841) — are nonetheless noted by critics.

Although Balzac was "by turns a hermit and a vagrant", he managed to stay in tune with the social spheres which nourished his writing. He was friends with Théophile Gautier and Pierre-Marie-Charles de Bernard du Grail de la Villette, and he was acquainted with Victor Hugo. Nevertheless, he did not spend as much time in salons and clubs of Paris like many of his characters. "In the first place he was too busy", explains Saintsbury, "in the second he would not have been at home there.... He felt it was his business not to frequent society but to create it". However he often spent long periods at the Château de Saché, near Tours, the home of his friend Jean de Margonne, his mother's lover and father to her youngest child. Many of Balzac's tormented characters were conceived in the chateau's small second-floor bedroom. Today the chateau is a museum dedicated to the author's life.

The Comédie Humaine remained unfinished at the time of his death—Balzac had plans to include numerous other books, most of which he never started. He frequently flitted between works in progress, and "finished articles" were frequently revised between editions. This piecemeal style is reflective of the author's own life, a possible attempt to stabilize it through fiction. "The vanishing man", wrote Sir Victor Pritchett, "who must be pursued from the rue Cassini to ... Versailles, Ville d'Avray, Italy, and Vienna can construct a settled dwelling only in his work".

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