Hamlet

· · · ·
· Blackstone Audio Inc. · Narrated by Simon Russell Beale, Imogen Stubbs, and a full cast
3.0
3 reviews
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3 hr 25 min
Unabridged
Eligible
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About this audiobook

Shakespeare’s most famous play is one of the greatest stories in the literature of the world.

Distressed by his father’s death and his mother’s over-hasty remarriage, Hamlet, prince of Denmark is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet’s beloved, the innocent Ophelia, are swept up in his tragedy.

Hamlet is played by Simon Russell Beale. Imogen Stubbs plays Ophelia, Jane Lapotaire is Gertrude, and Bob Peck is Claudius. Polonius is played by Norman Rodway.

ACT IScene 1. The ghost of Old Hamlet, King of Denmark, has appeared to officers guarding the castle of Elsinore. When the apparition is witnessed by Horatio, friend of the Dead King’s son, he fears that it portends ill. He decides to tell young Hamlet, hoping that the ghost might reveal to him the cause of its restlessness.Scene 2. The dead king’s brother, Claudius, has assumed the crown and married the widowed Queen Gertrude. He dispatches emissaries to Norway where the king’s nephew Fortinbras is threatening Denmark with war. The King and Queen urge young Hamlet to cast off his dark mood. Once alone, the prince vents his violent grief at his father’s death and outrage at his mother’s “incestuous” remarriage. Wen Horatio tells Hamlet about the ghost, he too suspects foul play.Scene 3. Laertes warns his sister, Ophelia, not to take seriously Hamlet’s attentions because, being a prince, he is not free to make his own choices in matters of love. Scene 4. Hamlet and Horatio meet on the battlements. The ghost appears and beckons to Hamlet to follow him. Scene 5. The ghost describes to Hamlet how it was murdered by Claudius. It urges him to revenge the crime.

ACT IIScene 1. Polonius, a garrulous counsellor and father to Ophelia and Laertes, instructs Reynaldo to investigate the kind of life Laertes is leading in Paris. Ophelia describes Hamlet’s bizarre behavior to Polonius who attributes this to her recent rejection of him.Scene 2. The King and Queen ask Rosencrantz and Guildenstern, old friends of Hamlet, to discover the cause of the prince’s erratic behavior. The King of Norway has stopped Fortinbras’ preparations for war against Denmark. Polonius takes Hamlet’s scathing and capricious wit as proof of his insanity. Hamlet greets Rosencrantz and Guildenstern warmly, but becomes suspicious of their motives. He is, however, pleased to hear that a company of players has arrived at Elsinore. Once alone, he berates himself for his failure to undertake his revenge. He plans to have the players enact King Hamlet’s murder and to observe Claudius’ reaction as a way of ascertaining his guilt.

Act IIIScene 1. Rosencrantz and Guildenstern have failed to uncover the reason for Hamlet’s behavior. Hamlet shocks Ophelia with his crude and bitter contempt for women and marriage. Their conversation is overheard by Claudius, who recognizes that it is not thwarted love that is responsible for Hamlet’s dangerous instability. He resolves to send him on a diplomatic mission to England to get him away from the court. Polonius suggests that Gertrude should persuade Hamlet to confide in her; he himself will eavesdrop on their conversation.Scene 2. Hamlet tells Horatio to watch Claudius during the play for signs of guilt. As a murder identical to that of King Hamlet is enacted, Claudius rises in fright and calls for lights, thus ending the performance. Hamlet is summoned to his mother’s closet and vows to “speak daggers to her, but use none.”Scene 3. Claudius orders Rosencrantz and Guildenstern to accompany Hamlet to England. Once alone he expresses agony at his dreadful crime. Hamlet comes upon him trying to pray, but desists from killing him on the grounds that, were Claudius to die in prayer, his soul might go to heaven rather than hell.Scene 4. Hamlet harangues Gertrude so violently that she cries out for help. Polonius responds from his hiding place and Hamlet, believing him to be Claudius, stabs through the arras, killing him. He then continues his furious indictment of Gertrude, until the ghost enters, reminding him of his mission. Having implored his mother to repent, he drags away Polonius’ body.

ACT IVScene 1. Gertrude is now convinced of Hamlet’s madness and Claudius is determined that he should leave for England immediately.Scene 2. Rosencrantz and Guildenstern beg Hamlet to reveal the whereabouts of Polonius’ corpse.Scene 3. Hamlet speaks wildly, but when Claudius tells him he must set out for England immediately, he agrees. Left alone, Claudius confesses that he has plotted Hamlet’s death.Scene 4. Fortinbras is marching with his army to do battle over an unimportant piece of land. Hamlet compares his own wrongs, still unavenged, and resolves to take action at last. Scene 5. Ophelia, deranged with grief at her father’s death, comes to Claudius and Gertrude, singing distractedly. Laertes arrives, hot to avenge Polonius’ murder.Scene 6. Horatio receives a letter from Hamlet saying that he has been captured by pirates on his way to England and that they have returned him to Denmark.Scene 7. Claudius tells Laertes that he cannot punish Hamlet for Polonius’ murder because he is loved both by Gertrude and the people of Denmark. He persuades Laertes to wait until an “accidental” death can be arranged for Hamlet; a fencing match will be organized and the tip of Laertes’ sword will be dipped in poison. Gertrude announces that Ophelia has drowned herself.

ACT VScene 1. A grave is being dug. Hamlet and Horatio arrive, and Hamlet jests with the gravedigger. The grave is Ophelia’s, and when her funeral procession arrives, Laertes jumps into the grave to bid his sister a last farewell, Hamlet follows, claiming that his love for Ophelia was greater than her brother’s; they fight. Claudius urges Laertes to bide his time patiently. Scene 2. Hamlet tells Horatio how, en route for England, he discovered Claudius’ plot to have him killed. Having forged an order for the deaths of Rosencrantz and Guildenstern, he escaped. Osric, a courtier, tells Hamlet of the proposed fencing match with Laertes; Hamlet agrees to take part. The match begins. Gertrude drinks poisoned wine meant by Claudius for Hamlet, should Laertes’ sword fail to kill him. Hamlet is wounded by the poisoned sword which, in the course of the scuffle, comes to his own hand; he wounds Laertes with it. Dying, Laertes confesses the plot. Hamlet stabs Claudius fatally with the poisoned sword, then dies, naming Fortinbras as his successor. Fortinbras arrives, claims the crown of Denmark, and orders a soldier’s funeral for Hamlet.

CASTHamlet: Simon Russell Beale / Ophelia: Imogen Stubbs / Gertrude: Jane Lapotaire / Claudius: Bob Peck / Polonius: Norman Rodway / Ghost, Gravedigger: Paul Jesson / Horatio: Alan Cox / Laertes: Damian Lewis / Rosencrantz: John McAndrew / Guildenstern: Clarence Smith / Player King: Clifford Rose / Fortinbras: Chook Sibtain / Marcellus, Osric: Nicholas Rowe / Cornelius, Reynaldo: Alex Boyd-Williams / Prologue, Lucianus, Doctor: Nicholas Murchie / Player Queen: Steven O’Neill / Bernardo: Alan Westaway / Francisco: Alex McSweeney / Voltemand: Nick Monu

Director: Clive Brill / Composer: Dominique Le Gendre / Production coordinators: Polly Coles and Charlotte Harvey / Sound engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell

TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act II, Scene iTrack 7: Act II, Scene ii(up to line 85)

Disc 2Track 1: Act II, Scene ii(from line 85)Track 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene iv

Disc 3Track 1: Act IV, Scene iTrack 2: Act IV, Scene iiTrack 3: Act IV, Scene iiiTrack 4: Act IV, Scene ivTrack 5: Act IV, Scene vTrack 6: Act IV, Scene viTrack 7: Act IV, Scene viiTrack 8: Act V, Scene iTrack 9: Act V, Scene ii

Ratings and reviews

3.0
3 reviews
A Google user
February 1, 2018
The reading is great, but the divisions are bad. When you launch it it brags about no more track numbers, but it only separates into the main body and a cast of characters. It would be nice to be able to skip to a specific act at least, with scene and act being the ideal
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About the author

William Shakespeare (1564-1616) wrote thirty-seven plays. King Lear and Macbeth are widely considered his finest and most popular. They are, perhaps, the most frequently produced works on the planet.

E.A. Copen has been a film-school dropout, a professional puppeteer, and a retail rebel, all of which allowed her to develop a cynical sense of humor. An unapologetic nerd and occasional enjoyer of comic books and anime, she now writes inclusive action-oriented urban fantasy, horror, and science fiction. When not writing, she enjoys cooking and watching everything but romantic comedies. She currently resides in southern Kentucky.

Best known as the author of Rich Dad Poor Dad―the #1 personal finance book of all time―Robert Kiyosaki has challenged and changed the way tens of millions of people around the world think about money. He is an entrepreneur, educator, and investor who believes that each of us has the power to makes changes in our lives, take control of our financial future, and live the rich life we deserve. With perspectives on money and investing that often contradict conventional wisdom, Robert has earned an international reputation for straight talk, irreverence, and courage and has become a passionate and outspoken advocate for financial education. Robert's most recent books―Why the Rich Are Getting Richer and More Important Than Money―were published in the spring of 2017 to mark the 20th Anniversary of the 1997 release of Rich Dad Poor Dad. That book and its messages, viewed around the world as a classic in the personal finance arena, have stood the test of time. Why the Rich Are Getting Richer, released two decades after the international blockbuster bestseller Rich Dad Poor Dad, is positioned as Rich Dad Graduate School.

Simon Russell Beale is an award-winning stage actor and recipient of numerous accolades, including the 1996 Olivier Award for Best Supporting Actor and the 2000 Olivier Award for Best Actor in a Musical. He is an associate of the National Theatre and the Almeida Theatre in London and an associate artist at the Royal Shakespeare Company. His audiobook narrations have won eight AudioFile Earphones Awards.

Imogen Stubbs made her name on stage with the Royal Shakespearean Company, notably as Desdemona in Othello, but she is probably best known to British audiences as Anna Lee, the private detective heroine on the 1990s TV series by the same name. She later played Sarah Spiller in the whimsical BBC kids series Big Kids. On film she had key roles in Sense and Sensibility and Shakespeare’s Twelfth Night. She and her former husband, director Sir Trevor Nunn, have two children together.

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