Killing Commendatore
Um þessa rafbók
We all live our lives carrying secrets we cannot disclose.
'Beguiling... Murakami is brilliant at folding the humdrum alongside the supernatural; finding the magic that's nested in life's quotidian details' Guardian
When a thirty-something portrait painter is abandoned by his wife, he holes up in the mountain home of a famous artist. The days drift by, spent painting, listening to music and drinking whiskey in the evenings. But then he discovers a strange painting in the attic and unintentionally begins a strange journey of self-discovery that involves a mysterious ringing bell, a precocious thirteen-year-old girl, a Nazi assassination attempt and a haunted underworld.
A stunning work of imagination, Killing Commendatore is a surreal tale of love and loneliness, war and art.
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In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.
Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.
