Reading Samuel Johnson: Reception and Representation, 1750–1970
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The book sheds light on how writers bring their own unique creative energies, preoccupations and cultural affiliations to the reading experience. Writers find their own space, I argue, in part, through their responses to other authors. Reading Johnson has prompted writers, in turn, to write about him. Translating Johnson for contemporary audiences, authors have used very different means, including the writing of letters, essays, biographical representations, poetry, fiction and editorial practice. This has proved a dynamic process, both shedding new light on Johnson but also impacting writer’s own imaginative practice. ‘Reading Dr Johnson’ has, therefore, always been a pre-eminently creative process.
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Philip Jones is an independent scholar and Chairman of the Johnson Society (Lichfield). He has written widely on Johnson and the eighteenth century in Johnson Society journals. He has written papers on eighteenth-century culture, including Johnson’s relationship to (and membership of) the RSA, and the role of Lord Monboddo in the development of proto-evolutionary theory. He is also interested in how Johnson has been institutionalised into museum culture; how artefacts relating to Johnson have been consumed, and patterns of patterns of visitor attendance.
