Sylvia's Lovers
dec. de 2008 · Cosimo, Inc.
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But, for all her screen, she felt a pair of eyes were fixed upon her with a glow of admiration deepening their honest brightness. Somehow, look in what direction she would, she caught the glance of those eyes before she could see anything else. So she played with her apron-strings, and tried not to feel so self-conscious. There were another pair of eyes,-not such beautiful, sparkling eyes,-deep-set, earnest, sad, nay even gloomy, watching her every movement; but of this she was not aware. Philip had not recovered from the rebuff she had given him by refusing his offered hand, and was standing still, in angry silence, when Mrs. Corney thrust a young woman just arrived upon his attention. -from Chapter XII: "New Year's Fte" As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North. Sylvia's Lovers-Gaskell's fifth novel, first published in 1863-is the melodramatic tale of a star-crossed romantic triangle between farmgirl Sylvia Robson and the two men who love her: her cousin Philip and sailor Charlie Kinread. Though today considered one of Gaskell's minor works, the author herself called Sylvia's Lovers "the saddest story I ever wrote." Friend and literary companion to such figures as Charles Dickens and Charlotte Bront-the latter of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.
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Elizabeth Gaskell was born on September 29, 1810 to a Unitarian clergyman, who was also a civil servant and journalist. Her mother died when she was young, and she was brought up by her aunt in Knutsford, a small village that was the prototype for Cranford, Hollingford and the setting for numerous other short stories. In 1832, she married William Gaskell, a Unitarian clergyman in Manchester. She participated in his ministry and collaborated with him to write the poem Sketches among the Poor in 1837. Our Society at Cranford was the first two chapters of Cranford and it appeared in Dickens' Household Words in 1851. Dickens liked it so much that he pressed Gaskell for more episodes, and she produced eight more of them between 1852 and 1853. She also wrote My Lady Ludlow and Lois the Witch, a novella that concerns the Salem witch trials. Wives and Daughters ran in Cornhill from August 1864 to January 1866. The final installment was never written but the ending was known and the novel exists now virtually complete. The story centers on a series of relationships between family groups in Hollingford. Most critics agree that her greatest achievement is the short novel Cousin Phillis. Gaskell was also followed by controversy. In 1853, she offended many readers with Ruth, which explored seduction and illegitimacy that led the "fallen woman" into ostracism and inevitable prostitution. The novel presents the social conduct in a small community when tolerance and morality clash. Critics praised the novel's moral lessons but Gaskell's own congregation burned the book and it was banned in many libraries. In 1857, The Life of Charlotte Brontë was published. The biography was initially praised but angry protests came from some of the people it dealt with. Gaskell was against any biographical notice of her being written during her lifetime. After her death on November 12, 1865, her family refused to make family letters or biographical data available.
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