The End of the Day

· Random House
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'A writer with a profound comprehension of emotional destruction, loss and redemption' Sunday Times

A retired widow in rural Connecticut wakes to an unexpected visit from her childhood best friend whom she hasn't seen in forty-nine years.

A man arrives at a Bethlehem, Pennsylvania hotel to introduce his estranged father to his newborn daughter and finds him collapsed on the floor of the lobby.

A sixty-seven-year-old taxi driver in Kauai receives a phone call from the mainland that jars her back to a traumatic past.

These seemingly disconnected lives come together as half-century-old secrets begin to surface over the course of one fateful day...

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4,0
1 Rezension
Missy Mesmerized (miss mesmerized)
8. November 2020
Dana Goss, a wealthy heiress only a couple of years shy of 70, decides to visit Jackie, once her best friend with whom she shared everything, but whom she has not seen for almost five decades. Jackie sees Dana approach but hides and does not open the door. It triggers memories of a time long long ago. At the same time, a young man meets his father to tell him about his new-born granddaughter, soon after, the father dies from an aneurysm, not only leaving his son behind but also many questions. His mother Alice might answer them but this would mean revealing a secret she has kept to herself for so many years that she cannot reveal it now. Taxi driver Lupita Lopez in Kauai is also unexpectedly confronted with the almost forgotten past when she receives a phone call. All these lives are connected by events that each of them has ignored successfully. Bill Clegg’s story is set in the fictional town of Wells in Connecticut where the old farm house is the starting point of some live changing events. The different characters narrate their stories thus filling gaps the other leave and adding another perspective to what has been told before. They all try to hide things they do not want to think about, but those secrets push to the surface to be ultimately revealed. At first, the different accounts seem only loosely connected, it takes some time to understand how they are linked and why after all those years, the memory of that time is still that hurtful. The characters are all complex in themselves and presented in detail thus giving insight in their state of mind and thinking. There is not the ultimate good guy and the bad guy; it is lives having taken a turn which is not to be undone, decision that have been made which also had consequences, good ones as well as bad ones. Thus, a wonderful illustration of how life on earth works sometimes.
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Autoren-Profil

Bill Clegg is a literary agent in New York and the author of the bestselling memoirs Portrait of an Addict as a Young Man and Ninety Days. He has written for the New York Times, Esquire, New York magazine, the Guardian and Harper’s Bazaar.

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